Thursday, June 12, 2014

Poetrypalooza Day 5 - Troubling Accents

Troubling Accents, R. Flowers Rivera
Xavier Review Press
$12, 109 pgs

The beautiful, haunted South is ever-present in Troubling Accents by R. Flowers Rivera. It is both an infection and the re-bar in the spines of its native children. The genteel surface is onionskin-thin. Spend any time in the South, paying the least bit of attention, and you sense the threat of violence, always. It seems to live in the air and the soil and the water. The South will make you believe in instinct.

Ms. Rivera's poems are heavy with history, addressing race, class, sex, violence, and, of course, the love that is all mixed up in the middle of the mess. This work is often bleak but it is also honest and courageous; at times defiantly erotic, it issues simultaneously a challenge and a plea to be acknowledged, recognized - to finally be known. This poet gazes at the maelstrom head-on, eyes wide open, and calls it by its name. Ms. Rivera is not afraid to testify.

My favorites:

"Troubling Accents"

I'd think about what they tell children, about kissing your elbow, and I tried to. I actually did. I was that scared... - William Faulkner, from Sanctuary

Leave it to a Southerner to puncture the ordinary,
transmuting violence and my hatred for certain tones
into something brutal and beautiful and vulgar like pie-head,
saturnine boys knifing belt notches for lays,

to have some white man suggest I go slow,
no matter that the air is too humid to sustain
cicadas and serried, clapboard houses
along with my desperate need to question.

What few answers I found only led to more compunction,
making a slattern, purple-mouthed woman
seem almost justified for wanting to kiss her elbow
as she lay among the chaff, desperate to slip the yoke

of Fate. I ran from that land to hide in the New South.
There, there are manners like moribund magnolias.
Effluvium still seeps from every flowery syllable I breathe.
I cannot dissemble whence I come.

Now, not quite an expatriate, I have found a place
inside myself where I can be comfortably nostalgic,
my ears alert for yalls and nems and all those
troubling accents of home.

"Blues Mama"

                      for Bessie Smith

Nip and tuck
that woebegone lip
as the pink flesh falls
fueling the machine
of song.

Powerful lady
trace the sadness
tote it across the stage
called your life.
Loose yourself,
take ahold
thing integrity called craft.

Lexicon of soul
lay it all down
make them know
what it feels like
to be
Once they're rapt
in your stirrin'
be still
don't say
a mumbling word.

has no place
in such an earnest smile
but amidst your own
there's always a market for
a mean woman.

R. Flowers Rivera is a child of Mississippi. Her work has been published in numerous journals and anthologies, including African American Review, The Southern Review, and Mischief. Twice nominated for the Pushcart Prize, among others, she was awarded the 1999 Peregrine Prize and the Leo Love Merit Scholarship in Poetry.

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